Stitching activity of late

Having flogged and left the house (see last blogpost) in early March, we then went up to the Scottish borders for a few days, then pushed off to France for about three weeks. Many months ago, when I first found out about it, I had booked to go on a Matthew Harris mentoring workshop in April. And I was quite determined not to miss it. And I’m really glad I didn’t.

If you’re interested in stitching, and if you’ve read my blog previously, you will have heard of Matthew Harris. Here’s a link to his website. I have previously attended one of his mentoring workshops at Bobby Britnell’s in Shropshire and very helpful it was too. However, I was keen to also go to one of his workshops on his own premises in Stroud, because the number of students was even smaller than at Bobby’s. There were six of us altogether, three per studio and each of us had a large space of our own in which to work. I found it very useful to discuss my work and where I’m up to. Matthew is very good at encouraging ideas and suggesting possible directions to explore. For example, he suggested I have a look at the work of Shirley Craven, a textile designer of the 1960s. Very pertinent, very helpful. (Look her up on Google Images and you’ll get the idea).

What I specifically discussed during the two day workshop was the possibility of working on paper.  I wrote a brief blog post towards the end of March on the subject, and I’d been doing a bit of work on it (although not much because of the house move and toxic quantities of income-generating work).

I did some sketchbook work, developing a basic shape which I then used in several permutations. Here’s an image that made it as far as being painted and then stitched:Stitch on paper March April 2017

And here’s how I developed it at the mentoring workshop in Stroud:More developed idea stitching on paper

I cut out a template of my basic shape, and then experimented with overlaying it in various ways. I do like the effect.

I cut a similar design (gouache and coloured pencil on paper) into strips and rearranged them:Matthew Harris mentoring April 2017

I like this one, too, and I can see some scope for scaling it up. However, I’m going to have to wait for a while before I can engage on such activities. In the house we’re moving to (provided all goes well), there is quite a large studio at the bottom of the garden. It was a stable but was converted into an artist’s studio. Imagine how happy I am about that! It’s properly insulated and has a stove so I will be able to work there all year round. It’s well lit from above, and there is plenty of space in it for working on a fairly large scale. So, this red and white piece could be a candidate for the first large piece I make in my new studio…..

 

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