There have been quite a few arty events in my life in the recent past. The weekend life drawing course with Rachel Clark was just magical. You can find out more about her work from Rachel’s website, but if you click here you’ll get to the testimonials page for her life drawing classes. Lots of eloquent people have lots to say about how good they are.
That weekend, I got to London on the Friday afternoon and whizzed off to the Royal Academy to give the Richard Diebenkorn exhibition a very quick onceover. I was in there for under an hour but that’s all the time I had to spare. Fortunately, it’s a small exhibition – just three rooms, so even in a brief visit it’s possible to get a feel for the exhibition and what’s in there. Last time I wrote about this I mentioned Cityscape #1 (see image) and about the compositional elements of it. As you go into the first room (which is all about RD’s early work on abstraction) if you look to the right you see into the second room and, framed by the entrance, is Cityscape #1. It looks absolutely great. I spent quite a lot of my time soaking it up from a distance. About three weeks ago, just as I was feeling rather better after being ill (yawn, sorry about this, resolve to shut up about illness) I went back to see the exhibition again with my friend Laura, ace art-seeking friend. She did the turn to the right and immediately spotted Cityscape #1 and loved it. We both felt it was the stand-out picture in the exhibition, although there were many other good things to appreciate.
I also, as planned, went to the John Singer Sargent exhibition at the National Portrait Gallery. He was an outstanding painter of people. It’s quite a large exhibition, reflecting the fact, I suppose, that he was just so prolific. This is an exhibition of his friends, and, again, he seemed to have loads of them. It’s wonderful and I can thoroughly recommend it.
Later this week, I will be meeting Laura again to go to the Sonia Delaunay at Tate Modern. I’m anticipating another treat. Adrian Searle, reviewing the show in The Guardian, gave it 5 stars and was very obviously impressed. Do have a look at the review, even if you can’t get to the exhibition. I’ll let you know what I think very soon, provided, that is, that I can stop bellyaching about health issues for long enough…. Fingers crossed.